Family film starts at 18:00 (doors open 17:30)
Adult film starts at 20:00/20;30 (doors open 19:30) – Lounge Entrance
Tickets available from Tarvin Newsagents or on the door
Family film £4 Adults £3 Under 12s
Film for parents and older folk £5
PAGE DOWN FOR INFORMATION ON OUR LATEST FILMS
Upcoming Films/Dates: 2019 January: 25th – Ralph Breaks the Internet (PG) + Bohemian Rhapsody (12A)
February: 15th – Mary Poppins Returns (U) + Stan and Ollie (PG)
March: 22nd – How to Train Your Dragon 3 (PG) + The Favourite (PG)
April: 26th – Lego Movie 2 (U) + Green Book (12A)
May: 24th – ?? + Fishermen’s Friends (12A)
June: 21st – July & August – Summer Break
Red Joan is based on a novel of the same name written by Jennie Rooney, which was itself inspired by the life of Melita Norwood. Norwood worked at the British Non-Ferrous Metals Research Association (the body which was responsible for Britain’s atom bomb programme) as a secretary and supplied the Soviet Union with nuclear secrets. The materials that Norwood betrayed to the USSR hastened the pace by about 5 years at which the Soviets developed nuclear bomb technology.
Sophie Cookson is the young Joan Stanley studying physics at Cambridge. She became involved with Communists and radical politics through her friend Sonya (Tereza Srbova) and Leo (Tom Hughes), a German Jew. Her story, which reaches as far back as 1938, is recalled in flashbacks as Joan in old age is questioned by the Special Branch. The questioning reveals that Joan was more concerned about “leveling the playing field” in the postwar world rather than communism.
The breakthrough for her and the Russians came when she was given access to research work relating to a theory about the corrosive nature of uranium at high temperatures. Melita was “groomed” for a life in espionage by her highly political mother Gertrude, who also spied for Moscow. In the 1930s Gertrude set up a safe house for the Soviets’ network of radio operators in the UK.
“Melita was not a hard line Stalinist. She was an emotional Communist and quite naive. She thought what she was doing was for the benefit of the entire world.
“She thought of Stalin in those early days as a sort of Clement Attlee figure. When she became (politically) active in the 1930s, Russia was seen by many people as the only nation capable of defeating the Nazis.
“She once said she didn’t agree with spying against one’s country. She said her purpose had been to keep Russia abreast.”
However, a biographical book by also reveals that Norwood herself recruited at least one spy to work for Russia. She declined to identify her recruit.
An historian who specialises in eastern European political emigres, Mr Burke first met Norwood in 1997. Mr Burke says Norwood had little time for the new generation of spies and their working methods which became Cold War lore.
“She didn’t like what she called the “playboy spies”. She also had no time for things like honeytraps. She believed in doing things the old-fashioned way.”
Professor Christopher Andrew, the official historian for MI5 who has written the forward to the new book said there was no doubt that the Russians thought she was a significant operator.
“Melita was the longest lasting Soviet spy in British history and that country’s most important female operative. How important particular pieces of information is often in the ears of the beholder. But the point is that the Russians thought what she was doing was very important and they told her so.”
The Spy Who Came In From the Co-op will be published by Boydell and Brewster on 17 October priced £18.99
Stellar International Cast Boasts Hugh Jackman, Zoe Saldana, David Walliams, Stephen Fry, Matt Lucas, Timothy Olyphant, Amrita Acharia, Ching Valdez-Aran, Emma Thompson and Zach Galifianakis in Fun-Filled, Globe-Circling Extravaganza.
LAIKA, the animation studio behind the Academy Award® nominated Kubo and the Two Strings, The Boxtrolls, ParaNorman, and Coraline, announces its fifth and most ambitious film to date: MISSING LINK.
“Missing Link is an artistic and technical wonder,” said Mr. Knight. “Led by our visionary director Chris Butler, LAIKA has once again blended fine art, craftsmanship, and cutting-edge technology to achieve something we’ve never tried before: a raucous comedy entwined with a swashbuckling epic, underscoring the universal need to find belonging. Commingling keenly felt emotion, madcap humor, and retina-bursting visuals, Missing Link is a kaleidoscopic cinematic experience unlike any other. It’s the most striking thing we’ve ever done.”
The charismatic Sir Lionel Frost (voiced by Hugh Jackman) considers himself to be the world’s foremost investigator of myths and monsters. The trouble is none of his small-minded high-society peers seems to recognize this. Sir Lionel’s last chance for acceptance by the adventuring elite rests on traveling to America’s Pacific Northwest to prove the existence of a legendary creature. A living remnant of Man’s primitive ancestry. The Missing Link.
Zach Galifianakis is Mr. Link: the slightly silly, surprisingly smart and soulful beast upon whom Sir Lionel’s dreams depend. As species go, he’s as endangered as they get; he’s the last of his kind, and he’s lonely. Proposing a daring quest to seek out his rumored distant relatives, he enlists Sir Lionel’s help in an odyssey around the world to find the fabled valley of Shangri-La.
Together with Adelina Fortnight (voiced by Zoe Saldana), an independent and resourceful adventurer who possesses the only known map to the group’s secret destination, the unlikely trio embarks on a riotous rollercoaster of a ride. Along the way, our fearless explorers encounter more than their fair share of peril, stalked at every turn by dastardly villains seeking to thwart their mission. Through it all, Mr. Link’s disarming charm and good-humored conviction provide the emotional and comedic foundation of this fun-filled family film.
Bursting with humor, heart, and a profound message of acceptance and finding one’s place, Missing Link is written and directed by Oscar® nominee Chris Butler (ParaNorman). LAIKA’s head of production and Oscar® nominee Arianne Sutner (ParaNorman, Kubo and the Two Strings) is producing with Mr. Knight, who earned an Academy Award® nomination and BAFTA win for his directorial debut on Kubo.
“It was a constant source of delight to witness how our game and captivating cast imbued these larger- than- life characters with distinct personality,” said writer/director Chris Butler. “Hugh lends Sir Lionel a giddy schoolboy enthusiasm bubbling beneath the surface of his suave English gent; Zoe brings an unflappable ardor and a witty playfulness to Adelina, and Zach’s performance as Link is not only laugh-out-loud funny, but a beautifully nuanced balance of innocence and vulnerability. It was a treat to be able to join this eclectic gang of adventurers on their journey across the world.”
The Fisherman’s Friends are: brothers John & Jeremy Brown, writer and moustachioed MC Jon Cleave, potter Billy Hawkins, smallholder John ‘Lefty’ Lethbridge, builder John McDonnell, fisherman Jason Nicholas and film maker Toby Lobb. Despite their musical adventures, the band can still be found working their day-jobs and enjoying life on the North Cornish Coast.
2019 sees the release of ‘Fisherman’s Friends’ a movie based on the group’s discovery and signing to a major record label. The film was written and produced by the team behind 2018’s British hit film ‘Finding Your Feet’ and stars Daniel Mays, Tuppence Middleton, David Hayman, Sam Swainsbury & James Purefoy. The film also features music from the Fisherman’s Friends and can be found on the album release ‘Keep Hauling’.
The Fisherman’s Friends have been widely credited with starting the revival of interest in shanty-style choral singing but a cornerstone of their success has been their constantly evolving and expanding repertoire. The strongest belief that the band have always held dear is that friendship will always come first, with music a very close second!!
Green Book is a 2018 American biographical comedy-drama film directed by Peter Farrelly. Set in 1962, the film is inspired by the true story of a tour of the Deep South by Jamaican–American classical and jazz pianist Don Shirley (Mahershala Ali) and Italian-American bouncer Tony Vallelonga (Viggo Mortensen) who served as Shirley’s driver and bodyguard. The film was written by Farrelly, Brian Hayes Currie and Vallelonga’s son, Nick Vallelonga, based on interviews with his father and Shirley, as well as letters his father wrote to his mother. The film is named after The Negro Motorist Green Book, a mid-20th century guidebook for African-American travelers written by Victor Hugo Green, to help them find motels and restaurants that would accept them at a time of widespread racial segregation and sunset towns. (all-white municipalities or neighborhoods in the United States that practice a form of segregation — historically by enforcing restrictions excluding people not white Anglo-Saxon Protestants via some combination of discriminatory local laws, intimidation, and violence. The term came from signs posted that “coloured people” had to leave town by sundown.) “At least until the early 1960s, northern states could be nearly as inhospitable to black travelers as states like Alabama or Georgia.”
New York City bouncer Frank “Tony Lip” Vallelonga is searching for new employment while the Copacabana nightclub, where he works, is closed for renovations. He is invited to an interview with “Doc” Don Shirley, an African American pianist who is looking for a driver for his eight-week concert tour through the Midwest and Deep South. Don hires Tony on the strength of his references. They embark with plans to return to New York on Christmas Eve.
Don’s record label gives Tony a copy of the Green Book.
Tony and Don initially clash; as Tony feels uncomfortable being asked to act with more refinement, while Don is disgusted by Tony’s habits. As the tour progresses, Tony is impressed with Don’s talent on the piano, and increasingly appalled by the discriminatory treatment which Don receives from his hosts and the general public when he is not on stage. A group of white men threatens Don’s life in a bar and Tony rescues him. He instructs Don not to go out without him for the rest of the tour. At one point they are incarcerated and Don asks to call his lawyer and uses the opportunity to reach Attorney General Robert F. Kennedy, who pressures the governor to release them.
Confronted with racism, danger-as well as unexpected humanity and humor-they are forced to set aside differences to survive and thrive on the journey of a lifetime.
Set in the court of Queen Anne (1665–1714), The Favourite explores the changing power dynamics and relationships between three female protagonists: Queen Anne (Olivia Colman); Abigail Masham (Emma Stone); and Sarah Churchill, Duchess of Marlborough (Rachel Weisz).
The latter was Anne’s companion and confidante since girlhood. When Anne succeeded to the throne in 1702, the Duchess of Marlborough was among those she brought with her to court. Granted all the major posts in Anne’s royal household – Groom of the Stole, Mistress of the Robes, Keeper of the Privy Purse and Ranger of Windsor Great Park – Churchill occupied a position of vast authority that she endeavoured to wield to the advantage of her preferred political faction, the Whigs.
For a time, the duchess’s pre-eminence at court and friendship with the queen seemed unshakeable. It was gradually eroded, however, by personal and political differences between the women, and finally shot through by the emergence of a new court favourite. Marlborough’s usurper was Abigail Masham, a lower ranking courtier and cousin of the Duchess of Marlborough, brought into court circles under the patronage of the duchess herself. The Favourite dramatises their triangular and tense struggle for dominance, putting female politics at the heart of every scene while foppish men in red high heels and extravagant suits watch from the edges.
Film starts at 8:00 pm with doors opening at 7:30 pm. ENTRANCE TO THIS FILM IS VIA THE LOUNGE AT THE REAR OF THE BUILDING (signed)
Tickets £5 are on sale from Tarvin Post Office
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